Post by charlie on Sept 6, 2007 18:01:09 GMT
As we were breaking down our equipment last Saturday at the Holiday Inn (regular gig) a couple came up to me and said how much they enjoyed our music. They commented on the use of a computer and how much we sounded like a "live" band in spite of being "computerized". I smiled and said thank you for one of the best compliments I had ever received. Sounding like a live band...but not being one...except for guitar and vocals. So, this leads me to the subject matter at hand....making midis sound "live" on the gig. Here's some of the things I do:
EDITING MIDIFILES (simple changes)
1. Drums - pump up volume, reduce reverb if present (live drums usually are out in front of the mix..more pronounced)
2. Bass guitar - increase volume to match drums, but not overshadow, swap out bass patch to find one that adds bottom without having to re-EQ mix
3. If guitar parts are required to make the overall mix sound full, then subdue them in the mix so as to compliment the "live" guitar sound, not compete with it.
4. Subdue or eliminate backing vocals being played by choir or voice sounds being generated by the sound module.
LIVE MIX
1. Add subs if not already part of your PA. Makes bass drum and bass guitar come "alive".
2. Trim back highs and mids on mixer for the sound module. (some files have patches that can easily saw somebody's head off if too close to the PA)
3. Use channel on mixer for return from reverb/delay to EQ out rings and boings from vocal mics.
4. Have vocals out front in the mix, but not so much that it sounds like you're singing over a transistor radio. Keep balance between vocals and midi files the same way as you would hear on a recording....
Ok...that's about all I got on this subject. Would love to hear from you guys on this subject!
Charlie
EDITING MIDIFILES (simple changes)
1. Drums - pump up volume, reduce reverb if present (live drums usually are out in front of the mix..more pronounced)
2. Bass guitar - increase volume to match drums, but not overshadow, swap out bass patch to find one that adds bottom without having to re-EQ mix
3. If guitar parts are required to make the overall mix sound full, then subdue them in the mix so as to compliment the "live" guitar sound, not compete with it.
4. Subdue or eliminate backing vocals being played by choir or voice sounds being generated by the sound module.
LIVE MIX
1. Add subs if not already part of your PA. Makes bass drum and bass guitar come "alive".
2. Trim back highs and mids on mixer for the sound module. (some files have patches that can easily saw somebody's head off if too close to the PA)
3. Use channel on mixer for return from reverb/delay to EQ out rings and boings from vocal mics.
4. Have vocals out front in the mix, but not so much that it sounds like you're singing over a transistor radio. Keep balance between vocals and midi files the same way as you would hear on a recording....
Ok...that's about all I got on this subject. Would love to hear from you guys on this subject!
Charlie